Caricamento…
Caricamento…
Pubblicato 19 ott 2026
Visualizzazioni
480K
Mi piace
21K
Velocità /h
28K
+24h
+442K
Beat 90% of videos its age, 2 h after upload.
Black: this video’s views at each read. Shaded: the median to the top 10% (the board’s reach bar) of all videos of its format at the same age; dashed: their top 1%.
14 of 14 hours read. A gap is an hour we didn’t read close enough to say, not an hour without views.
I nostri calcoli sui dati dell’API di YouTube. Non sono metriche di YouTube.
Posizione
Dinamica
Coinvolgimento
◆ Calcolato da viralshooter sui dati dell’API di YouTube. Non sono metriche di YouTube e non sono approvate da YouTube.
| Regione | Classifica | Miglior posizione | Visto la prima volta |
|---|---|---|---|
| Regno Unito | Più popolari | #22 | 19 ott |
| Canada | Più popolari | #28 | 19 ott |
| Stati Uniti | Più popolari | #34 | 19 ott |
| Germania | Più popolari | #42 | 19 ott |
| Argentina | Più popolari | #44 | 19 ott |
| Brasile | Più popolari | #45 | 19 ott |
| Francia | Più popolari | #45 | 19 ott |
| Australia | Più popolari | #77 | 20 ott |
| Spagna | Più popolari | #85 | 19 ott |
| Colombia | Più popolari | #91 | 19 ott |
| Italia | Più popolari | #110 | 20 ott |
| Messico | Più popolari | #141 | 19 ott |
17h
Campi del video come li restituisce l’API di YouTube.
Argomenti
Titolo e descrizione in 8 lingue
Tag (4)
Descrizione
BASS PERSUADES. THE ALBUM. OUT NOW: https://miley.lnk.to/basspersuades ORBIT MILEY director: alastair mckimm director of photography: mika altskan 1st ac: riley keeton 2nd ac: carolina thompson dit: isaac guy director's assistant: taylor wood stylist: bradley kenneth hair: bobby elliot makeup: janice daoud assistant makeup artist: lily nalbandyan assistant hair stylist: karina luis marcial manicurist: miho okawara gaffer: eddie reid best electric: jake ferrero electric driver: kevin williams electric: adam new, ellis alexander key grip: alessandro picasso best grip: snake dumpster grip: gary harvill grip driver: alex schmidt dolly grip: samuel satossky sound mixer: dennis grzesik vtr operator: gene balitski teleprompter operator: jamie sanderson production company: gs world media producer: gabriel hill producer: suzy kang production supervisor: julio mata jr. production coordinator: jared masten vip coordinator: karlie ofstedahl 1st ad: leland smith production assistant - truck (kit/camera): allen amehi production assistants - set: charles alexander, kaleb johnson, rich moore, amos trujillo, andrew kerner, mo mcdonnell, skyler reichow, jessica molina post production company: actual objects ep: jordan harkins post supervisor: claire farin lead artist: rick farin colorist: brendan walter artist management: crush music artist management: hopetown entertainment label: atlantic records Lyrics: Place a marble on the floor When you walk in the room, it’ll roll to you Pull me up onto your shore Like oceans and the moon lose control to you Cause when you look at me, it’s primal When you wave to me, it’s tidal And the gravity is vital, else I’d float away And the feeling, I can’t shake it And the spell, I just can’t break it Yeah, the gravity is vital, else I’d float away Oh my feet are off the ground whenever you’re around I wanna orbit you Orbit you We don’t have to touch Cause close is close enough I wanna orbit you Yeah, orbit you Forever Forever Every star in every sky is shining on demand I’m on to you (you) And I would bend all space and time to fall into your hands I’m drawn to you I belong to you Cause when you look at me, it’s primal When you wave to me, it’s tidal And the gravity is vital, else I’d float away And the feeling, I can’t shake it And the spell, I just can’t break it Yeah, the gravity is vital, else I’d float away My feet are off the ground whenever you’re around I wanna orbit you Yeah, orbit you We don’t have to touch Cause close is close enough I wanna orbit you Yeah, orbit you Forever Forever Oh forever Forever Place a marble on the floor When you walk in the room, it’ll roll to you #MILEY #BassPersuades #Orbit
◆ Calcolato da viralshooter · tutti gli altri numeri dall’API di YouTube